Bach Bibliography Search Result

Author : Hill, Robert
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	In Stile Fantastico.	Bachfest	68	[Bremen]	1993	83, 91-92
	2.	Die Herkunft von Bachs 'Thema Legrenzianum'. Kleine Beiträge. [BWV 574]	BachJb	72		1986	105-107
	3.	Bach, Händel und Scarlatti in den Augen ihrer Zeitgenossen.	BachWoche_Ansbach			1985	31-44
	4.	Nidan Kenban no Tankyu: 'Goldberg Hensokyoku' no Haikei. [In search of two-manual instrument: the background of the 'Goldberg' variations]	BachZenshu	12		Jul 1998	50-63
	5.	Carl Reinecke's Performance of Mozart's Larghetto and the Nineteenth-Century Practice of Quantitative Accentuation.	[ce]AboutBach			2008	171-180
	6.	'Der Himmel weiss, wo diese Sachen hingekommen sind': Reconstructing the Lost Keyboard Notebooks of the Young Bach and Handel.	[ce]BHSTercentenaryEssays			1985	161-172
	7.	Tablature versus Staff Notation: Or, Why Did the Young J. S. Bach Compose in Tablature?	[ce]ChurchStageStudio			1990	349-359
	8.	'Streng, versus, Frei'. Ein Beitrag zur Analyse der frühen Tastenfugen von Johann Sebastian Bach.	[cr]Lübeck2000			2002	176-184
	9.	Johann Sebastian Bach's Toccata in G Major BWV 916/1: A Reception of Giuseppe Torelli's Ritornello Concerto Form.	[cr]Rostock1990			1995	162-175
	10.	The Möller Manuscript and the Andreas Bach Book: Two Keyboard Anthologies from the Circle of the Young Johann Sebastian Bach. PhD diss., Harvard University, 1987. 2 vols. xvii, 754 Bl. [BWV 563; 570; 582; 724; 739; 820; 832; 833; 896; 917; 921; 949; 967]	diss.			1987	xvii, 754 Bl
	11.	'Echtheit angezweifelt'. Style and authenticity in two suites attributed to Bach.	EarlyM	13	2	May 1985	248-255
	12.	'Indessen führet er das Hauptthema galant ein': Handel's Keyboard Fugues and their 18th-century Audience.	GöttingerHändelBeitr	9		2002	73-85
	13.	Keyboard Music from the Andreas Bach Book and the Möller Manuscript. Foreword by Christoph Wolff. Cambridge MA: Department of Music, Harvard University, 1991. xlvii, 210p. (= Harvard publications in Music, 16)	HarvardPubM	16		1991	xlvii, 210p
	14.	Spohr in Berlin -- Musikgeschichte als Geschichte der Aufführungspraxis.	JbStaatInstMf	2000		2000	46-56
	15.	Vors Clavicimbal mit 2 Manualen': J. S. Bach en vogue? A paper read at American Bach Society conference (Yale University, New Haven, Connecticut, 24 April 1998)	[p]ABS_Yale			Apr 1998
	16.	Style and Authenticity in Two Early Suites Attributed to J. S. Bach, BWV 832 and 833. A paper read at the 50th Annual Meeting of the American Musicological Society and the 7th Annal Meeting of the Society for Music Theory in Philadelphia, October 25-28, 1984. Respondent: Russell Stinson.	[p]AMS_Philadelphia			Oct 1984
	17.	'Vors Clavicimbal mit 2 Manualen': J. S. Bach en vogue? Paper read at the 2nd Dortmunder Bach-Symposions, 21-24 January 1998.	[p]BS_Dortmund			Jan 1998
	18.	Strenge versus Freiheit, Notation versus Spielpraxis in der deutschen Tastenmusik um 1700. Paper read at Internationales Symposion und Konzerte 'Bach, Lübeck und die norddeutsche Musiktradition', Lübeck, 27-30 April 2000	[p]ISK_Luebeck			Apr 2000
	19.	The role of variation in the architecture of the early organ fugues of J.S. Bach.	VeröffGOrgelfreunde	173		2000	23-32	[fs]Musch65